Drama   United Kingdom

"The Duke" is a 2020 British comedy-drama film based on the true story of the Goya painting theft. The movie delves into the events surrounding the audacious heist and the unexpected consequences that follow.

The film revolves around Kempton Bunton, the 60-year-old taxi driver who steals Goya's portrait of the Duke of Wellington from the National Gallery in London. He is an ordinary working-class man frustrated by his meager pension and disillusioned with the unfairness of society. The theft becomes his way of rebelling against the system.

Unexpectedly, Kempton doesn't immediately capitalize on his stolen masterpiece. Instead, he demands ransom money for the painting. His motive is not driven by financial gain but rather a desire to use the funds to help the elderly and disadvantaged, specifically to aid the funding of free TV licenses for the elderly, which were being threatened at the time.

The authorities, represented by Detective Chief Superintendent Jones, are taken aback by this unusual and seemingly incongruous act of robbery. While Kempton eventually negotiates a deal with the police to return the painting, he remains skeptical about the government's promises to protect the elderly.

However, as Kempton's act gains widespread attention and public support, he becomes somewhat of a folk hero. The media and the public rally behind him, highlighting the issues faced by the elderly and the pensioners' fight for their rights. The film explores Kempton's unexpected journey from being an ordinary man to becoming a symbol of protest against societal neglect.

"The Duke" also delves into the dynamics between Kempton and his supportive wife, Dorothy. She stands by his side throughout the ordeal, urging him to make decisions that align with his principles while fearing the consequences that may follow.

Ultimately, "The Duke" provides a comedic yet thought-provoking exploration of the power of individual actions and the potential for ordinary people to spark change. It highlights the blurred lines between right and wrong, emphasizing the importance of considering the motivations behind unconventional acts.
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