Obsessed Vision: Unveiling Life's Motion

As Eadweard Muybridge immerses himself in his pioneering work on capturing motion through photography, he faces numerous challenges and setbacks in his ambitious project. In his pursuit to document "the motion of life," Muybridge develops a technique known as chronophotography, which involves capturing a series of still photographs to create the illusion of motion when played consecutively.

However, Muybridge's dedication to his work begins to overshadow his relationships, particularly his marriage to Flora, a young and captivating woman. As Muybridge delves deeper into his project, his paranoia in regard to Flora's loyalty intensifies. Desperately seeking reassurances of her fidelity, he becomes consumed with jealousy and suspicion, constantly questioning her actions and interactions with others.

The tension between Muybridge's obsession with his work and his increasing jealousy gradually strains his relationship with Flora. Matters become more complex when doubts about the paternity of their son arise. Muybridge's insecurity and fear regarding his wife's faithfulness reach their boiling point, leading to an explosive confrontation.

Amidst this turmoil, the film explores Muybridge's inner struggles and psychological descent. It delves into his complex personality, his relentless pursuit of his artistic vision, and the consequences it has on his personal life. As he battles his own demons, the film examines the dichotomy between his contribution as the father of motion pictures and the emotional turmoil he endures.

Eadweard not only delves into the technical aspects of Muybridge's groundbreaking work but also provides a deeply human portrayal of a man torn between his passion for innovation and his profound doubts and paranoia. Through a combination of visual storytelling and psychological exploration, the film presents a multidimensional narrative of a pivotal era in the history of art and technology.