Drama Belgium,United Kingdom
High-Rise is a British dystopian drama film based on J.G. Ballard's 1975 novel of the same name. The movie depicts the unraveling of the social fabric within a luxury high-rise apartment building.
The story follows Dr. Robert Laing, a young physiologist who moves into a newly constructed high-rise tower block. The tower is a self-contained world, offering all amenities, including a pool, supermarket, gym, and even a school, creating a sense of isolation from the outside world. The residents, predominantly middle to upper-class professionals, enjoy an idyllic and privileged lifestyle.
However, as time goes by, tensions begin to arise within the high-rise society. The building's social hierarchy becomes more apparent, with the wealthy elites residing on the upper floors while the lower levels are inhabited by the middle-class. The divisions between the classes transcend the physical space and lead to a breakdown in social order.
Discontentment and anarchy gradually permeate the tower block. Power outages, water shortages, and trash piling up lead to the deterioration of essential services. Groups form, aligning with their respective social standing, with the upper floors becoming ruled by the dictatorial Royal, an influential architect, and his wife, Ann. The lower levels band together under the charismatic and rebellious Wilder.
As chaos ensues, the once-cordial relationships between neighbors give way to violence, debauchery, and a descent into primal instincts. The residents lose their societal constraints, engaging in hedonistic behavior and indulging in their darkest desires. The high-rise transforms into a microcosm of human nature, reflecting the excesses and brutalities of the outside world.
Dr. Laing, who initially maintains his distance from the escalating turmoil, finds himself increasingly drawn into this spiral of madness. He develops relationships with both Charlotte, a woman living on the lower floors, and Helen, a mother figure on one of the higher levels, blurring the boundaries between the classes.
As the high-rise society crumbles, Laing becomes an integral part of the growing turmoil, navigating the enigmatic power structures and forming alliances on both sides. He witnesses the destruction and decay of the tower block from the inside, ultimately questioning his own sanity and morality.
In a climactic and explosive finale, the high-rise descends into total chaos, with a surreal and symbolic disintegration of the building itself. Laing, now fully entrenched in the madness, experiences a transformation that mirrors the disintegration of the social order around him.
High-Rise explores themes of class struggle, dehumanization, and the breakdown of societal constraints. The film paints a bleak picture of the human condition, suggesting that within the high-rise, the veneer of civilization is easily shattered, revealing the primal instincts that lurk beneath the surface.
The story follows Dr. Robert Laing, a young physiologist who moves into a newly constructed high-rise tower block. The tower is a self-contained world, offering all amenities, including a pool, supermarket, gym, and even a school, creating a sense of isolation from the outside world. The residents, predominantly middle to upper-class professionals, enjoy an idyllic and privileged lifestyle.
However, as time goes by, tensions begin to arise within the high-rise society. The building's social hierarchy becomes more apparent, with the wealthy elites residing on the upper floors while the lower levels are inhabited by the middle-class. The divisions between the classes transcend the physical space and lead to a breakdown in social order.
Discontentment and anarchy gradually permeate the tower block. Power outages, water shortages, and trash piling up lead to the deterioration of essential services. Groups form, aligning with their respective social standing, with the upper floors becoming ruled by the dictatorial Royal, an influential architect, and his wife, Ann. The lower levels band together under the charismatic and rebellious Wilder.
As chaos ensues, the once-cordial relationships between neighbors give way to violence, debauchery, and a descent into primal instincts. The residents lose their societal constraints, engaging in hedonistic behavior and indulging in their darkest desires. The high-rise transforms into a microcosm of human nature, reflecting the excesses and brutalities of the outside world.
Dr. Laing, who initially maintains his distance from the escalating turmoil, finds himself increasingly drawn into this spiral of madness. He develops relationships with both Charlotte, a woman living on the lower floors, and Helen, a mother figure on one of the higher levels, blurring the boundaries between the classes.
As the high-rise society crumbles, Laing becomes an integral part of the growing turmoil, navigating the enigmatic power structures and forming alliances on both sides. He witnesses the destruction and decay of the tower block from the inside, ultimately questioning his own sanity and morality.
In a climactic and explosive finale, the high-rise descends into total chaos, with a surreal and symbolic disintegration of the building itself. Laing, now fully entrenched in the madness, experiences a transformation that mirrors the disintegration of the social order around him.
High-Rise explores themes of class struggle, dehumanization, and the breakdown of societal constraints. The film paints a bleak picture of the human condition, suggesting that within the high-rise, the veneer of civilization is easily shattered, revealing the primal instincts that lurk beneath the surface.
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